Meagan was honored to sing the mezzo-soprano solo in Duruflé’s Requiem in a concert celebrating the legacy of outgoing music director Craig Phillips at All Saints’ Episcopal Church of Beverly Hills earlier this month. It was also meaningful to perform alongside many musicians whom she recognized from her mother’s time as a clarinetist in the LA Opera Orchestra, including cellist Dane Little.

Meagan enjoyed being back at the Music Center for German Opera Tales with LA Opera Connects this month. She portrayed Hansel, a River Guardian (aka Rhinemaiden), and Blondchen in this fun mash-up of musical highlights from Humperdinck’s Hansel and Gretel, Wagner’s Das Rheingold, and Mozart’s The Abduction from the Seraglio. She and her castmates had the opportunity to introduce thousands of children to opera through the performances, including at the beloved Saturday Mornings

Channel Islands Chamber Orchestra, under the baton of KuanFen Liu, presented a concert version of Carmen on Sunday, and Meagan was grateful for the chance to debut with them in the role of Mercédès. What a treat to reunite with two of her wonderful colleagues from her graduate studies at UCLA for the event as well: baritone Ben Lowe, who was portraying Escamillo, and soprano Jennie Olivia, who was Meagan’s partner in crime as Frasquita. Meagan also had the unexpected opportun

Meagan had the opportunity to don Sor Juana's habit again in a special symposium on February 26th celebrating Alicia Gaspar de Alba, co-librettist of the opera Juana . Alongside soprano Maria Valdes-Gomez and pianist Peter Walsh, Meagan sang selections from the beautiful opera by Gaspar de Alba and composer and co-librettist Carla Lucero. She had the honor of singing the title role in the work's premiere in 2019. The full symposium was entitled “Otro Corazón 3: Queering Sor J

Meagan was thrilled to make her debut with Opera Laguna for their reimagined version of Handel's MESSIAH in December. The experience featured an ensemble of twelve distinguished vocalists as the chorus who stepped forward for featured solo moments, members of South Chicago Dance Theater performing choreography by Kia Smith, a fine orchestra, and the children's chorus of Orange County Choral Academy under the direction of Kathleen Gremillion. Michael Skidgel conducted this rem

Tune in tomorrow at 12:10pm Pacific Time as Victoria Kirsch and Meagan celebrate Jane Austen's upcoming 250th birthday in their recital for First United Methodist Church, Santa Monica's Mid-Week Recital series. The program combines selected Lieder by Franz Schubert on themes relevant to Austen's works, solo piano arrangements of musical themes from beloved film and TV adaptations of Austen's novels, and two songs from Marianne Dashwood: Songs of Love and Misery , an evocative

Meagan's recent portrayal of Lady Pamela in Pacific Opera Project's production of Auber and Scribe's Fra Diavolo earned her the following recognition: " Meagan Martin shines as Lady Pamela, in a truly brilliant, pitch-perfect comic performance that utterly makes the entire opera and earned most of Fra Diavolo ’s laughs. She has sublime comedic chemistry with the charismatic Matthew Ian Welch, also utterly delightful as James George Hardcash. Fra Diavolo could use more deepl

Meagan was glad to return to The Da Camera Society for a second event this year, this time a program dedicated to the Lieder of Franz Schubert in an intimate house concert. Alongside pianist Victoria Kirsch and baritone John Buffett, she performed familiar hits as well as lesser-known gems by this titan of German art song. Victoria played on a gorgeous 1861 Blüthner piano for the occasion. Here was our full program: Duet - Mignon und der Harfner, D. 877 (Goethe) Songs of long

Meagan was honored to have the opportunity to join Maestro James Conlon and members of the Los Angeles Opera Orchestra for a memorial concert on October 10th celebrating the life and artistry of Roberto Cani, beloved concertmaster of the LA Opera Orchestra from 2011 to 2025. She appeared as the alto soloist for Pergolesi's Stabat Mater alongside Gabrielle Turgeon, who was the soprano soloist. The program also included Puccini's Crisantemi , Respighi's Ancient Airs and Dances